Africa SVOD Market Size and Share

Africa SVOD Market (2025 - 2030)
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Africa SVOD Market Analysis by Mordor Intelligence

The Africa SVOD market reached USD 3.04 billion in 2025 and is projected to climb to USD 4.58 billion by 2030, representing an 8.54% CAGR and underscoring a solid expansion in market size. Mobile-data affordability, accelerating smartphone penetration and the bundling of streaming plans with telco services underpin this growth, while recent M&A activity has reshaped competitive dynamics. Consolidation is exemplified by Canal+ acquiring MultiChoice, strengthening pan-regional distribution and bargaining power. Global platforms intensify competition by localizing content and leveraging partnerships, while local investors and public-sector incentives nurture home-grown productions. These drivers collectively widen the addressable audience and reinforce monetization opportunities for all tiers of providers across the Africa SVOD market.

Key Report Takeaways

  • By content genre, drama led with a 45.31% revenue share in 2024, whereas sports is forecast to register a 10.37% CAGR through 2030.
  • By revenue model, the SVOD segment retained 91.87% of the Africa SVOD market share in 2024, while TVOD is projected to expand at a 9.53% CAGR to 2030.
  • By device type, smartphones captured 57.89% of the Africa SVOD market size in 2024 and smart TVs are advancing at a 9.27% CAGR through 2030.
  • By age group, viewers aged 18-24 years are expected to post the fastest 9.02% CAGR to 2030, while the 25-34 years cohort commanded 37.23% of subscriptions in 2024.

Segment Analysis

By Content Genre: Drama Dominance amid Sports Acceleration

Drama accounted for 45.31% of revenue in 2024, cementing its place as the cornerstone of the Africa SVOD market share. The success of crossover hits such as “Blood and Water” expanded global appetite for African drama, while MultiChoice’s 59 local originals across four core territories in fiscal 2024 increased its Africa SVOD market size footprint in premium storytelling. Live-event genres and lifestyle shows supplement demand, yet dramas retain longer shelf life across demographics. Sports, although only 13% of 2024 revenue, exhibits a 10.37% CAGR to 2030, powered by rights to FIFA Club World Cup 2025 and AFCON’s record-shattering 10.3 million unique-viewer semifinal.[3]SuperSport, “AFCON 2024 Viewership Sets New Records,” supersport.comShowmax’s mobile-only Premier League tier at ZAR 69 (USD 3.73) monthly underscores the smartphone-first positioning that drives sports subscriptions.

The segment’s upside reflects Africa’s vast football fandom and the willingness of fans to pay for marquee tournaments even if they avoid higher-priced general-entertainment tiers. Aggregators increasingly deploy pay-per-view add-ons within the Africa SVOD market to blend recurring and transactional models. Over the forecast period, providers that secure local leagues and women’s sports will widen engagement, while low-latency streaming and interactive watch-parties will deepen retention. Drama is expected to hold leadership but cede some share to sports, documentaries and music, given the rising accessibility of live events on mobile networks.

Africa SVOD Market: Market Share by Content Genre
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By Revenue Model: SVOD Leadership with TVOD Momentum

The SVOD model captured 91.87% of receipts in 2024, illustrating consumer preference for flat-rate access in the Africa SVOD market. Bulk data top-ups, standing-order mobile payments and telco-bundling agreements sustain recurring revenues and reduce churn. Netflix bundles within Canal+ packages across 24 Francophone countries exemplify distribution leverage, whereas Showmax’s Peacock-powered relaunch enhances 4K streaming and content discovery to justify subscription price points. Despite dominance, SVOD faces affordability constraints, prompting experimentation with mobile-only plans and shared-household tiers.

TVOD’s 9.53% CAGR stems from its pay-as-you-go appeal to price-sensitive users or those seeking premium exclusives without long-term commitments. The model supports blockbuster movie releases alongside sports finals, enabling platforms to monetize peaks in demand. Hybrid monetization-merging subscription for catalog content and transactional for high-value events-emerges as a practical hedge against income volatility in the Africa SVOD market. Over time, ad-supported tiers may absorb part of TVOD growth, yet transactional options will persist for marquee events and early-release titles.

By Device Type: Smartphone Supremacy with Smart TV Emergence

Smartphones represented 57.89% of viewing time in 2024 and continue to anchor the Africa SVOD market, aided by robust 4G coverage and falling device prices GSMA. Features such as offline downloads and data-optimized encodes lower bandwidth consumption, while telco bundles improve cost predictability for heavy users. Short-form content and social sharing enhance engagement on mobile screens, making smartphones indispensable for platform traction.

Smart TV penetration grows at 9.27% CAGR as fiber rollouts and Google’s Umoja cable reduce latency and wholesale capacity costs, increasing the Africa SVOD market size for connected-living-room experiences. Emerging ad-supported channels on smart TVs offer incremental revenue streams, while targeted ads overcome ARPU constraints. Tablets and laptops retain relevance for educational and family co-viewing, whereas consoles and set-top boxes cater to premium households. Nonetheless, smartphone viewing is likely to remain the dominant mode through 2030, even as large-screen adoption broadens.

Africa SVOD Market: Market Share by Device Type
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By Age Group: Millennial Leadership with Gen Z Acceleration

The 25-34 cohort commanded 37.23% of subscriptions in 2024, driven by stable incomes and familiarity with online payments, thereby anchoring recurring revenues in the Africa SVOD market. They consume a mix of international blockbusters and locally resonant series, influencing platform commissioning strategies. In contrast, the 18-24 demographic displays the fastest 9.02% CAGR, reflecting a mobile-centric lifestyle and affinity for user-generated content tie-ins. This cohort champions social-watch capabilities and short-cycle subscriptions, pushing platforms to optimize for flexible billing and bite-sized storytelling.

Older segments (35-44 and 45 +) value premium sports, family bundles and customer service, affecting household subscription decisions. They also represent potential upsell targets for higher-tier packages that include 4K and multi-screen access. As aging millennials shift upward in the income ladder, providers that curate diverse catalogs and maintain competitive pricing will lock in lifetime value, reinforcing demographic resilience across the Africa SVOD market.

Geography Analysis

South Africa remains the epicenter of the Africa SVOD market, accounting for three-quarters of the continent’s 4.5 million OTT subscriptions in 2023 and generating revenue of ZAR 4.5 billion (USD 246 million) that year [PWC]. Fixed-broadband household penetration reached 46.3%, enabling 4K streaming and bolstering premium ARPU. Regulatory reform, including potential local-content levies by 2027, could recalibrate competitive costs but would concurrently strengthen domestic production capacity.

Nigeria posts the fastest 10.5% CAGR among major markets, propelled by a vast population and robust Nollywood pipeline. OTT revenue is set to climb from USD 65 million in 2023 to USD 107 million by 2028, although currency volatility has prompted repeated price adjustments by providers READCOMMUNIQUE. Payment innovation, notably Airtel’s virtual Mastercard and deep mobile-money penetration, alleviates friction. Infrastructure hurdles persist, yet 5G rollouts in Lagos and Abuja expand capacity for HD playback, enhancing the Nigeria slice of the Africa SVOD market.

Kenya outperforms on mobile-money penetration, achieving a 10.9% CAGR outlook through 2030. The market benefits from Safaricom’s aggressive data pricing and standing-order billing, which reduce churn. Urban fiber projects further boost average speeds, encouraging smart-TV adoption. Meanwhile, Egypt and Morocco bring Arabic-language depth and proximity to European peering hubs, improving latency and expanding the Africa SVOD market footprint in North Africa. Francophone territories leverage Canal+ heritage and the Netflix distribution alliance for reach, whereas Lusophone nations such as Angola and Mozambique emerge as greenfield opportunities once subsea cables and terrestrial fiber mature.

Competitive Landscape

The Africa SVOD market is defined by a two-tier hierarchy comprising global giants and strong regional incumbents. Netflix leads in absolute subscribers, projected to hit 6.9 million across sub-Saharan Africa by 2029. MultiChoice’s Showmax, revitalized through its Peacock technology migration and newly integrated sports portfolio, targets 3.7 million subscribers over the same horizon. Canal+ secured a decisive edge via its USD 2 billion acquisition of MultiChoice, consolidating 50 nation coverage and nearly 50 million pay-TV customers, creating unprecedented scale in content procurement and cross-promotion.[4]C21Media, “Canal+ Takes Effective Control of MultiChoice,” c21media.net

Strategic partnerships shape market posture. Netflix gains reach through Canal+ distribution in Francophone Africa, while Showmax embeds NBCUniversal’s library and tech stack to enhance user experience. Telcos emerge as gatekeepers by bundling data and streaming; Vodacom’s AI-powered recommendation deal with Google exemplifies this synergy. Niche players such as iROKO pivot toward diaspora audiences, and newcomers like TF1+ test free ad-supported models across 22 countries, signaling a shift toward hybrid monetization that aligns with regional spending power.

Competitive intensity varies by geography. South Africa witnesses the highest ARPU and platform diversity, while Nigeria’s addressable base attracts aggressive pricing and localization. French-speaking markets count on Canal+ and TF1+ for culturally resonant content, whereas East Africa’s mobile-first ecosystem favors telco-bundled solutions. Going forward, ecosystem partnerships with handset makers, cloud vendors and sports federations will define leadership positions within the Africa SVOD market.

Africa SVOD Industry Leaders

  1. Amazon.com, Inc.

  2. Netflix Inc.

  3. Walt Disney Company (Disney+)

  4. MultiChoice Group Ltd.

  5. Apple Inc. (Apple TV+)

  6. *Disclaimer: Major Players sorted in no particular order
Africa SVOD Market Concentration
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Recent Industry Developments

  • September 2025: Canal+ completed its takeover of MultiChoice Group, forming Africa’s largest media conglomerate spanning 50 countries with almost 50 million subscribers.
  • July 2025: South Africa’s Competition Tribunal approved Canal+’s USD 2 billion MultiChoice acquisition, adding job-protection and local-content conditions.
  • June 2025: TF1+ launched a free ad-supported platform across 22 Francophone countries with a 30,000-hour catalog.
  • June 2025: Netflix and Canal+ unveiled a distribution pact covering 24 Francophone sub-Saharan countries.

Table of Contents for Africa SVOD Industry Report

1. INTRODUCTION

  • 1.1 Study Assumptions and Market Definition
  • 1.2 Scope of the Study

2. RESEARCH METHODOLOGY

3. EXECUTIVE SUMMARY

4. MARKET LANDSCAPE

  • 4.1 Market Overview
  • 4.2 Market Drivers
    • 4.2.1 Intensification of competition with global entrants
    • 4.2.2 Expansion of affordable mobile data bundles
    • 4.2.3 Surge in smartphone penetration across Africa
    • 4.2.4 Rising local content investment incentives
    • 4.2.5 Telco-OTT hybrid bundling strategies
    • 4.2.6 Introduction of cloud-native streaming architectures
  • 4.3 Market Restraints
    • 4.3.1 Persistently high subscription fees vs ARPU
    • 4.3.2 Patchy broadband infrastructure outside metros
    • 4.3.3 Increasing piracy via illicit streaming devices
    • 4.3.4 Local currency volatility impacting pricing power
  • 4.4 Industry Ecosystem Analysis
  • 4.5 Regulatory Landscape
  • 4.6 Technological Outlook
  • 4.7 Impact of Macroeconomic Factors
  • 4.8 Porter's Five Forces Analysis
    • 4.8.1 Bargaining Power of Suppliers
    • 4.8.2 Bargaining Power of Consumers
    • 4.8.3 Threat of New Entrants
    • 4.8.4 Threat of Substitutes
    • 4.8.5 Intensity of Competitive Rivalry
  • 4.9 Average Revenue per User Analysis

5. MARKET SIZE AND GROWTH FORECASTS (VALUE)

  • 5.1 By Content Genre
    • 5.1.1 Drama
    • 5.1.2 Music
    • 5.1.3 Sports
    • 5.1.4 Other Content Genres
  • 5.2 By Revenue Model
    • 5.2.1 Subscription Video on Demand
    • 5.2.2 Transactional Video on Demand
  • 5.3 By Device Type
    • 5.3.1 Smartphone
    • 5.3.2 Smart TV
    • 5.3.3 Tablet
    • 5.3.4 PC or Laptop
    • 5.3.5 Other Device Types
  • 5.4 By Age Group
    • 5.4.1 18-24 Years
    • 5.4.2 25-34 Years
    • 5.4.3 35-44 Years
    • 5.4.4 45 Years and above
  • 5.5 By Country
    • 5.5.1 Kenya
    • 5.5.2 South Africa
    • 5.5.3 Nigeria
    • 5.5.4 Egypt
    • 5.5.5 Morocco
    • 5.5.6 Rest of Africa

6. COMPETITIVE LANDSCAPE

  • 6.1 Market Concentration
  • 6.2 Strategic Moves
  • 6.3 Market Share Analysis
  • 6.4 Company Profiles (includes Global level Overview, Market level Overview, Core Segments, Financials as available, Strategic Information, Market Rank or Share for key companies, Products and Services, and Recent Developments)
    • 6.4.1 Amazon.com Inc.
    • 6.4.2 Netflix Inc.
    • 6.4.3 MultiChoice Group Ltd.
    • 6.4.4 Walt Disney Company (Disney+)
    • 6.4.5 Apple Inc. (Apple TV+)
    • 6.4.6 Canal+ Group (MyCanal)
    • 6.4.7 PCCW Media Group (Viu)
    • 6.4.8 iROKO Partners Ltd. (iROKOtv)
    • 6.4.9 Google LLC (YouTube Premium)
    • 6.4.10 MTN Group Ltd. (Ayoba)
    • 6.4.11 Huawei Technologies Co. Ltd. (Huawei Video)
    • 6.4.12 StarTimes Group (StarTimes ON)
    • 6.4.13 Orange S.A. (Orange VOD)
    • 6.4.14 StarTimes Media
    • 6.4.15 Telkom SA SOC Ltd. (TelkomONE)

7. MARKET OPPORTUNITIES AND FUTURE OUTLOOK

  • 7.1 White-space and unmet-need assessment
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Africa SVOD Market Report Scope

SVoD stands for subscription video on demand, a service that charges a set monthly fee for unlimited access to a vast selection of shows. Users are in complete control of their subscriptions and can choose the exact moment the program will begin. Additionally, they can choose to stop, rewind, fast-forward, or pause the show. Although there is no programming schedule, it is paid TV programming that features popular TV shows and motion pictures.

The Africa SVOD Market is segmented by content genre (drama, music, Sports, and other content genres) and geography (Kenya, South Africa, and Nigeria).

The market sizes and forecasts are provided in terms of value (USD) for all the above segments.

By Content Genre
Drama
Music
Sports
Other Content Genres
By Revenue Model
Subscription Video on Demand
Transactional Video on Demand
By Device Type
Smartphone
Smart TV
Tablet
PC or Laptop
Other Device Types
By Age Group
18-24 Years
25-34 Years
35-44 Years
45 Years and above
By Country
Kenya
South Africa
Nigeria
Egypt
Morocco
Rest of Africa
By Content Genre Drama
Music
Sports
Other Content Genres
By Revenue Model Subscription Video on Demand
Transactional Video on Demand
By Device Type Smartphone
Smart TV
Tablet
PC or Laptop
Other Device Types
By Age Group 18-24 Years
25-34 Years
35-44 Years
45 Years and above
By Country Kenya
South Africa
Nigeria
Egypt
Morocco
Rest of Africa
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Key Questions Answered in the Report

How large is the Africa SVOD market in 2025?

It generated USD 3.04 billion in revenue in 2025 and is on track for an 8.54% CAGR to 2030.

Which content genre is growing fastest?

Sports streaming leads with a projected 10.37% CAGR through 2030, supported by premium rights acquisitions.

What device dominates streaming consumption?

Smartphones account for 57.89% of viewing, driven by affordable data and widespread 4G coverage.

Why are subscription fees a constraint?

Prices have risen faster than average income, prompting regulatory pushback and limiting penetration in lower-income segments.

Which company recently reshaped competition?

Canal+ acquired MultiChoice in 2025, creating a pan-African media giant with nearly 50 million customers.

Which age demographic offers the highest growth?

Viewers aged 18-24 years are set to expand subscriptions at a 9.02% CAGR through 2030 as digital natives mature economically.

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