Photography Equipment Market Size and Share

Photography Equipment Market Summary
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Photography Equipment Market Analysis by Mordor Intelligence

The photography equipment market size reached USD 9.74 billion in 2026 and is forecast to edge up to USD 9.91 billion by 2031, reflecting a muted 0.35% CAGR over the period. While the overall growth appears tepid, there's a noticeable shift in the vendor landscape. Demand for entry-level equipment is increasingly gravitating towards smartphones. At the same time, there's a notable uptick in demand for mirrorless cameras, especially those tailored for vlogging and advanced 8K workflows, helping to maintain robust average selling prices. Today's competitive edge hinges on features like AI-driven autofocus, in-body stabilization, and integrated computational workflows that significantly reduce post-production time. However, the supply chain faces challenges, with Sony commanding a dominant 53% share of the global CMOS output, even as Chinese competitors steadily close the gap. In the U.S. and Europe, tariff pressures are tightening margins, particularly at the lower end of the market. Yet, manufacturers and specialty retailers are finding new avenues for revenue through rental and subscription models, alongside direct-to-creator e-commerce channels.

Key Report Takeaways

  • By product type, cameras led with 83.96% revenue share in 2025; camcorders are projected to expand at a 0.80% CAGR to 2031.
  • By category, the premium tier captured 42.82% of the 2025 photography equipment market share, while mass-market models are tracking a 0.93% CAGR through 2031.
  • By end user, professional workflows held 59.74% of 2025 revenue; the Personal segment is advancing at a 0.93% CAGR on the back of vlogging adoption.
  • By distribution channel, online channels accounted for 55.82% of the 2025 turnover, and offline channels are set to grow at a 1.10% CAGR to 2031.
  • By geography, North America dominated with 38.43% of 2025 sales; Asia-Pacific is the fastest-growing region at a 1.12% CAGR through 2031.

Note: Market size and forecast figures in this report are generated using Mordor Intelligence’s proprietary estimation framework, updated with the latest available data and insights as of January 2026.

Segment Analysis

By Product Type: Cameras Anchor Revenue Despite Camcorder Resurgence

In 2025, cameras accounted for 83.96% of the market revenue. However, camcorders are projected to grow at a 0.80% CAGR through 2031, surpassing cameras' 0.93% growth rate. This resurgence in camcorders, once deemed obsolete, is driven by rising demand for live-streaming and hybrid events. Canon launched its XA75 and XA70 professional camcorders in Q2 2024, featuring 4K 60p recording and dual SD card slots. These target houses of worship, corporate events, and educational institutions, emphasizing long-form recording and built-in ND filters over the modular flexibility of mirrorless cameras. Sony's FX6 and FX9, part of its Cinema Line, saw strong FY2024 sales, driven by adoption from Netflix and Amazon Studios for documentary and reality-TV productions. Their appeal is enhanced by Sony's E-mount lens ecosystem and native S-Log3 color profiles. Panasonic's AG-CX350, priced at USD 3,495, offers a 20x optical zoom and dual-codec recording (H.264 and H.265), making it a reliable choice for broadcast journalists and event videographers. The camera segment's dominance is sustained by mirrorless innovation. Canon's EOS R1, unveiled in July 2024 as the flagship successor to the 1D X Mark III DSLR, introduces a global shutter sensor that eliminates rolling-shutter distortion, benefiting sports and wildlife photographers. Nikon's Z9, launched in late 2021, remains a top seller in 2024-2025 with 8K 60p video and 120 fps burst shooting, making it a hybrid tool for photojournalists covering events like the Olympics and World Cup. Fujifilm's GFX100S II, priced at USD 4,999, appeals to commercial and fashion photographers with its 102-megapixel resolution for large-format prints and extensive cropping latitude.

Action cameras and 360-degree cameras are niche but fast-growing segments. DJI's Osmo Action 5 Pro, with a 1/1.3-inch sensor and 13.5 stops of dynamic range, competes with GoPro's HERO12 Black, which faced overheating issues in 8K mode. GoPro's Q3 2024 revenue of USD 255.6 million, down 19% year-on-year, reflects market-share losses to DJI. DJI's Osmo Pocket 3 gimbal camera, priced at USD 519, is praised for superior stabilization and low-light performance. Outdoor and adventure publications consistently rank DJI's Action 5 Pro ahead of GoPro's HERO12 for underwater videography, citing better color accuracy below 10 meters and longer battery life. Insta360's X4 360-degree camera, launched in March 2024, features 8K 30fps recording and AI-powered horizon leveling, opening new use cases for real-estate tours and immersive travel vlogs, capturing share from traditional action cameras.

Photography Equipment Market: Market Share by Product Type
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By Category: Premium Segment Outpaces Mass Market

In 2025, the Premium category, accounting for 42.82% of sales, and the mass segment are both growing at a 0.93% CAGR. This growth is driven by prosumer and professional buyers investing in features like advanced autofocus, in-body stabilization, and weather sealing. Canon Marketing Japan's FY2024 results showed a decline in digital interchangeable-lens camera unit sales but an increase in average selling prices due to a shift from entry-level DSLRs to higher-margin mirrorless models priced above USD 2,000. For example, Sony's Alpha 7R V, priced at USD 3,899 body-only, and Nikon's Z8, at USD 3,999, highlight the premium tier's value with 60-megapixel sensors, 8K video, and AI-driven autofocus, justifying their price difference over USD 1,500 mid-tier models. Fujifilm's X100VI, a premium compact priced at USD 1,599, sold out globally within weeks of its February 2024 launch, driven by its retro design and film-simulation modes appealing to street photographers and Instagram influencers. Leica's Q3, priced at USD 5,995, offers a 60-megapixel full-frame sensor and Summilux 28mm f/1.7 lens in a compact body, targeting affluent enthusiasts who prioritize build quality and brand heritage.

The Mass segment, including entry-level mirrorless and DSLR bodies priced under USD 1,000, faces challenges from smartphone competition and tariff-induced price hikes. Canon's EOS R50 and Nikon's Z30, both priced around USD 679 body-only, aim to transition smartphone users to interchangeable-lens systems. However, their growth is constrained by the iPhone 16 Pro's computational photography, which mimics professional effects without the complexities of manual settings. Sony's ZV-E10 II, priced at USD 999, bridges the Mass and Premium categories with features like 4K 60p video and a product-showcase mode, appealing to YouTube creators seeking professional-grade features without flagship pricing. For the Mass segment to remain viable, manufacturers must integrate AI-driven features, such as automatic subject tracking and in-camera noise reduction, to differentiate entry-level cameras from smartphones while keeping prices below USD 800 to attract hobbyists and students.

By End User: Professional Demand Anchors Growth

In 2025, professional end-users accounted for 59.74% of the revenue, driven by wedding, event, and commercial photographers seeking features like dual-card slots, weather sealing, and high-speed burst shooting. Nikon's Z8, priced USD 1,000 less than the flagship Z9, gained traction among wedding photographers who previously rented the Z9 for USD 300-500 per weekend. Canon's EOS R5 Mark II, with 8.5-stop in-body stabilization and 8K 60p video, became the preferred choice for hybrid shooters covering corporate events and real-estate tours. Sony's Alpha 1, priced at USD 6,499, remained the top pick for sports and wildlife photographers, offering 30 fps burst shooting and 50-megapixel resolution for cropping without quality loss. Fujifilm's GFX100S II, at USD 4,999, serves commercial and fashion photographers requiring 102-megapixel resolution for large-format advertising prints.

The Personal segment is projected to grow at a 0.93% CAGR as content creators and hobbyists upgrade from smartphones. Canon's EOS R50, Nikon's Z30, and Sony's ZV-E10 II target this segment with vlogging features like flip-out screens, directional microphones, and vertical-video recording. Fujifilm's X-M5, launched in late 2024, includes film-simulation modes replicating analog color science, enabling Instagram and TikTok creators to achieve unique in-camera looks. Growth in this segment varies geographically; India's content-creator economy, expected to reach 100 million producers by 2027, drives demand for entry-level mirrorless cameras, while China's Douyin platform (TikTok's domestic counterpart) has 750 million daily active users, many investing in cameras for higher production value. Long-term growth depends on manufacturers simplifying user interfaces and integrating AI-powered features to ease the learning curve for first-time interchangeable-lens camera buyers.

Photography Equipment Market: Market Share by End User
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By Distribution Channel: Online Gains Share

In 2025, online channels accounted for 55.82% of total sales. While offline channels are expected to grow at a modest 1.10% CAGR through 2031, e-commerce platforms are outpacing them. These platforms entice consumers with competitive pricing, customer reviews, and next-day delivery, advantages that brick-and-mortar stores find hard to replicate. In Q4 2024, Amazon reported net product sales of USD 82.2 billion. Of this, online stores contributed USD 75.6 billion, marking a 7% year-on-year increase, fueled by an 11% rise in global paid units. A pricing study by Profitero highlighted that Amazon's electronics, including cameras and lenses, were 14% cheaper than those at other major U.S. retailers. This pricing edge has drawn many price-sensitive consumers to Amazon's online platform. Furthermore, Amazon Prime ramped up its same-day and overnight delivery services by 65% in 2024 compared to 2023, effectively narrowing the delivery speed gap that previously benefited local camera shops. Adorama, a specialty retailer based in New York with revenues estimated between USD 500 million and USD 1.0 billion, boosted its e-commerce platform and rental subsidiary, ARC, by 15% in 2024. They introduced the Nikon Z8 and Fujifilm GFX100S II, catering to the rising demand from wedding photographers and commercial studios. B&H Photo Video, another prominent U.S. specialty retailer, noted that the Sony ZV-E10 II and Canon EOS R50 were among its top-five best-sellers in Q4 2024, largely due to vloggers and content creators upgrading from smartphones.

Despite the growth of offline retail, projected at a 1.10% CAGR through 2031, it continues to excel in high-touch segments. Here, customers prioritize hands-on product evaluations and expert guidance. Major brands like Canon, Nikon, and Sony have established flagship stores in cities like Tokyo, New York, and London. These stores not only sell products but also host workshops, offer lens rentals, and run trade-in programs, all of which bolster brand loyalty among professional photographers. Specialty retailers, including Adorama and

Geography Analysis

In 2025, North America commanded a significant 38.43% share of the revenue, bolstered by its well-established professional ecosystems and a robust rental infrastructure. Data from CIPA highlighted a 21.3% uptick in shipments in February 2025, occurring just before the implementation of tariffs[2]Source: Camera & Imaging Products Association, “Shipments by Product Type January-October 2024,” cipa.jp. However, as manufacturers hiked list prices by up to 12%, the growth momentum waned later in the year. With Canada and Mexico enjoying more lenient import duties, they are emerging as alternative import sources for U.S. buyers, complicating channel management. Looking ahead, the proliferation of subscription models, which ease upfront cost barriers, is expected to drive long-term growth, especially for mid-tier creators.

Asia-Pacific is set to outpace other regions, boasting a projected CAGR of 1.12% through 2031. In February 2025, China witnessed a staggering 78.8% surge in mirrorless shipments, a boost largely credited to Douyin’s monetisation strategies that favour high-quality content. With a forecasted creator economy of 100 million by 2027, India is positioning itself as a pivotal growth hub, especially for vlogging kits priced under USD 800. Meanwhile, tariff reductions under RCEP, combined with domestic manufacturing in Japan and Thailand, empower vendors to offer competitive pricing[3]Source: Regional Comprehensive Economic Partnership Secretariat, “RCEP Economic Impact Report 2025,” asean.org. Australia and New Zealand are not just markets but strategic launch pads, facilitating English-language marketing campaigns and beta firmware testing, thus speeding up global release feedback loops.

Europe, South America, and the Middle East-Africa collectively contributed to 23.45% of 2025's sales. Western Europe, with its premium market inclination, saw Germany, the UK, and France together account for a hefty 60% of the full-frame mirrorless volume. Economic fluctuations and steep import duties have dampened South America's market, with Brazil's hefty 60% electronics tariff nudging demand towards refurbished products. In the UAE and South Africa, growth is buoyed by tourism and upscale commercial photography services, offering some insulation from the encroachment of smartphone alternatives.

Competitive Landscape

In the Photography Equipment Market, Canon, Sony, and Nikon collectively account for approximately 70% of the revenue from interchangeable-lens cameras. Despite this dominance, competition remains intense as each brand leverages its technological strengths. Canon leads the professional segment with its flagship EOS R1 and an ecosystem of over 40 RF lenses. Its dual-gain-output sensor architecture provides 13 stops of dynamic range at ISO 3200, enabling wedding and event photographers to handle mixed lighting without bracketing exposures. Sony, a pioneer in mirrorless technology with its Alpha 1 and Alpha 7R V models, benefits from vertical integration. With a 53% share of the global CMOS sensor market through Sony Semiconductor, the company reserves its most advanced stacked sensors for its own cameras, creating a significant performance advantage. Nikon, in April 2024, acquired RED Digital Cinema, signaling its entry into the professional cinema camera market. By combining its Z-mount optics with RED's REDCODE RAW compression and color science, Nikon aims to compete with Sony's FX6 and Canon's Cinema EOS series. Fujifilm, on the other hand, occupies a niche with its X-series APS-C and GFX medium-format cameras, appealing to street and commercial photographers through film-simulation modes like Velvia, Provia, and Acros, which replicate analog color science for in-camera aesthetics.

White-space opportunities exist in the rental and subscription models, which remain underdeveloped outside North America and Europe, and in the action-camera segment. DJI's Osmo Action 5 Pro has gained market share from GoPro by offering superior low-light performance and variable-aperture sensors. Meanwhile, Chinese sensor manufacturers such as OmniVision and Will Semiconductor are disrupting the market by eroding Sony's 53% CMOS market share. These companies provide lower-cost alternatives, appealing to camera manufacturers looking to reduce bill-of-material costs. AI-powered computational workflows have emerged as a critical battleground for market-share gains. Canon's Deep Learning AF, Sony's AI-based Real-time Recognition AF, and Nikon's 3D-tracking algorithm highlight the growing importance of autofocus speed and accuracy over megapixel count in influencing purchase decisions among professional and prosumer buyers.

The long-term competitive landscape will favor companies that integrate AI processing units directly into camera bodies. This integration enables real-time features such as subject recognition, noise reduction, and horizon leveling, reducing reliance on post-production software. These advancements are particularly advantageous for event photographers and photojournalists who operate under tight deadlines, as they shorten the time from capture to delivery. As the market evolves, players that can deliver these AI-driven capabilities will gain a significant edge, meeting the growing demand for faster and more efficient workflows in professional photography.

Photography Equipment Industry Leaders

  1. Canon Inc.

  2. Nikon Corporation

  3. Fujifilm Holdings Corp.

  4. Panasonic Holdings Corp.

  5. Sony Corporation

  6. *Disclaimer: Major Players sorted in no particular order
Canon Global, Fujifilm International, Samsung International, Panasonic Corporation, Nikon Corporation
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Recent Industry Developments

  • July 2024: Canon Inc. launched the EOS R5 Mark II, a 45-megapixel full-frame mirrorless camera with 8.5-stop in-body stabilization, 8K 60p video recording, and a global shutter sensor that eliminates rolling-shutter distortion. Priced at USD 4,299 body-only, the R5 Mark II targets hybrid shooters covering weddings, corporate events, and real-estate tours, contributing to Canon's Imaging division revenue growth of 8.8% to YEN 937.4 billion in FY2024.
  • April 2024: Nikon Corporation completed its acquisition of RED Digital Cinema, LLC, for an undisclosed sum, making RED a wholly-owned subsidiary and integrating its REDCODE RAW compression and cinema camera expertise into Nikon's Z-mount ecosystem. The acquisition positions Nikon to compete in the professional cinema camera market against Sony's FX line and Canon's Cinema EOS, with potential for future Z-series bodies to incorporate RED's color science and 8K recording capabilities.
  • February 2024: Fujifilm Holdings Corporation launched the X100VI, a fixed-lens premium compact camera priced at USD 1,599, featuring a 40-megapixel X-Trans CMOS 5 HR sensor, in-body stabilization, and film-simulation modes. The X100VI sold out globally within weeks, driven by its retro aesthetic and appeal to street photographers and Instagram influencers, contributing to Fujifilm's Imaging revenue growth of 15.4% to YEN 541.97 billion in FY2025.

Table of Contents for Photography Equipment Industry Report

1. INTRODUCTION

  • 1.1 Study Assumptions and Market Definition
  • 1.2 Scope of the Study

2. RESEARCH METHODOLOGY

3. EXECUTIVE SUMMARY

4. MARKET LANDSCAPE

  • 4.1 Market Overview
  • 4.2 Market Drivers
    • 4.2.1 Mirrorless camera adoption and technological advances
    • 4.2.2 Social-media driven content-creation boom
    • 4.2.3 High-resolution and video-centric sensor demand
    • 4.2.4 Expansion of e-commerce retail channels
    • 4.2.5 Rental and subscription models for premium gear
    • 4.2.6 AI-powered in-camera computational workflows
  • 4.3 Market Restraints
    • 4.3.1 Smartphone substitution effect
    • 4.3.2 High upfront cost of professional equipment
    • 4.3.3 Tariff-induced price inflation in key markets
    • 4.3.4 Supply-chain vulnerabilities in image sensors
  • 4.4 Consumer Behaviour Analysis
  • 4.5 Regulatory Landscape
  • 4.6 Technological Outlook
  • 4.7 Porter’s Five Forces
    • 4.7.1 Threat of New Entrants
    • 4.7.2 Bargaining Power of Buyers
    • 4.7.3 Bargaining Power of Suppliers
    • 4.7.4 Threat of Substitutes
    • 4.7.5 Intensity of Competitive Rivalry

5. MARKET SIZE AND GROWTH FORECASTS (VALUE)

  • 5.1 Product Type
    • 5.1.1 Cameras
    • 5.1.2 Cam Coder
  • 5.2 Category
    • 5.2.1 Mass
    • 5.2.2 Premium
  • 5.3 End User
    • 5.3.1 Professional
    • 5.3.2 Personal
  • 5.4 Distribution Channel
    • 5.4.1 Online Channel
    • 5.4.2 Offline Channel
  • 5.5 Geography
    • 5.5.1 North America
    • 5.5.1.1 United States
    • 5.5.1.2 Canada
    • 5.5.1.3 Mexico
    • 5.5.1.4 Rest of North America
    • 5.5.2 Europe
    • 5.5.2.1 United Kingdom
    • 5.5.2.2 Germany
    • 5.5.2.3 France
    • 5.5.2.4 Italy
    • 5.5.2.5 Spain
    • 5.5.2.6 Sweden
    • 5.5.2.7 Belgium
    • 5.5.2.8 Poland
    • 5.5.2.9 Netherlands
    • 5.5.2.10 Rest of Europe
    • 5.5.3 Asia-Pacific
    • 5.5.3.1 China
    • 5.5.3.2 Japan
    • 5.5.3.3 India
    • 5.5.3.4 Thailand
    • 5.5.3.5 Singapore
    • 5.5.3.6 Indonesia
    • 5.5.3.7 South Korea
    • 5.5.3.8 Australia
    • 5.5.3.9 New Zealand
    • 5.5.3.10 Rest of Asia-Pacific
    • 5.5.4 South America
    • 5.5.4.1 Brazil
    • 5.5.4.2 Argentina
    • 5.5.4.3 Peru
    • 5.5.4.4 Colombia
    • 5.5.4.5 Chile
    • 5.5.4.6 Rest of South America
    • 5.5.5 Middle East and Africa
    • 5.5.5.1 South Africa
    • 5.5.5.2 Nigeria
    • 5.5.5.3 Egypt
    • 5.5.5.4 Morocco
    • 5.5.5.5 Turkey
    • 5.5.5.6 Rest of Middle East and Africa

6. COMPETITIVE LANDSCAPE

  • 6.1 Market Concentration
  • 6.2 Strategic Moves
  • 6.3 Market Share Analysis
  • 6.4 Company Profiles
    • 6.4.1 Canon Inc.
    • 6.4.2 Sony Corporation
    • 6.4.3 Nikon Corporation
    • 6.4.4 Fujifilm Holdings Corp.
    • 6.4.5 Panasonic Holdings Corp.
    • 6.4.6 Olympus / OM Digital Solutions
    • 6.4.7 GoPro Inc.
    • 6.4.8 SZ DJI Technology Co., Ltd.
    • 6.4.9 Leica Camera AG
    • 6.4.10 Ricoh Company, Ltd.
    • 6.4.11 Sigma Corporation
    • 6.4.12 Hasselblad
    • 6.4.13 Phase One A/S
    • 6.4.14 Blackmagic Design Pty Ltd
    • 6.4.15 Zeiss Group
    • 6.4.16 JVC Kenwood Corp
    • 6.4.17 Kodak Alaris Inc
    • 6.4.18 Arashi Vision Co Ltd
    • 6.4.19 Japan Industrial Partner...
    • 6.4.20 Samsung Corp
  • *List Not Exhaustive

7. MARKET OPPORTUNITIES AND FUTURE OUTLOOK

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Global Photography Equipment Market Report Scope

The photography equipment market is segmented by product type, category, end user, distribution channel, and geography. By product type, the market is segmented into cameras and camcoders. By category, the market is segmented into mass and premium. By end user, the market is segmented into men and women. By distribution channel, the market is segmented into online and offline channels. By geography, the market is segmented into North America, Europe, Asia-Pacific, South America, the Middle East, and Africa. The Market Forecasts are Provided in Terms of Value (USD).

Product Type
Cameras
Cam Coder
Category
Mass
Premium
End User
Professional
Personal
Distribution Channel
Online Channel
Offline Channel
Geography
North AmericaUnited States
Canada
Mexico
Rest of North America
EuropeUnited Kingdom
Germany
France
Italy
Spain
Sweden
Belgium
Poland
Netherlands
Rest of Europe
Asia-PacificChina
Japan
India
Thailand
Singapore
Indonesia
South Korea
Australia
New Zealand
Rest of Asia-Pacific
South AmericaBrazil
Argentina
Peru
Colombia
Chile
Rest of South America
Middle East and AfricaSouth Africa
Nigeria
Egypt
Morocco
Turkey
Rest of Middle East and Africa
Product TypeCameras
Cam Coder
CategoryMass
Premium
End UserProfessional
Personal
Distribution ChannelOnline Channel
Offline Channel
GeographyNorth AmericaUnited States
Canada
Mexico
Rest of North America
EuropeUnited Kingdom
Germany
France
Italy
Spain
Sweden
Belgium
Poland
Netherlands
Rest of Europe
Asia-PacificChina
Japan
India
Thailand
Singapore
Indonesia
South Korea
Australia
New Zealand
Rest of Asia-Pacific
South AmericaBrazil
Argentina
Peru
Colombia
Chile
Rest of South America
Middle East and AfricaSouth Africa
Nigeria
Egypt
Morocco
Turkey
Rest of Middle East and Africa
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Key Questions Answered in the Report

How big is the photography equipment market in 2026?

The photography equipment market size reached USD 9.74 billion in 2026 and is projected to rise slightly to USD 9.91 billion by 2031.

Which region is growing fastest for photography gear sales?

Asia-Pacific shows the strongest momentum, projected to expand at a 1.12% CAGR through 2031 on the back of surging creator demand in China and India.

What product category holds the largest revenue share?

Interchangeable-lens cameras dominate with 83.96% of 2025 sales, supported by ongoing mirrorless innovation.

Why are premium bodies gaining traction?

Professionals and advanced amateurs seek AI autofocus, in-body stabilisation, and robust weather sealing, lifting the premium tier to 42.82% of 2025 revenue.

Which companies lead the competitive landscape?

Canon, Sony, and Nikon collectively control roughly 70% of global interchangeable-lens camera revenue, while Fujifilm, Panasonic, and DJI lead niche segments.

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