Digital Music Market Size and Share

Digital Music Market (2025 - 2030)
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Digital Music Market Analysis by Mordor Intelligence

The Digital Music Market size is estimated at USD 36.27 billion in 2025, and is expected to reach USD 53.09 billion by 2030, at a CAGR of 7.92% during the forecast period (2025-2030).

The expansion reflects a continued shift from ownership to access-based listening, as streaming dominates consumer spending patterns. Wider 5G coverage is lifting average bit-rates, which in turn pushes listeners toward higher-fidelity formats. Partnerships between telecom operators and music services are converting large prepaid user pools into first-time subscribers, particularly in emerging economies. Labels and platforms are also experimenting with immersive audio and short-form video tie-ins to raise time-spent-per-user, while direct-to-fan platforms broaden monetization avenues for independent artists. Automakers are embedding premium audio and always-connected dashboards, enlarging the addressable listening window when consumers are on the road.

Key Report Takeaways

  • By service type, streaming held 84% revenue share of the digital music market in 2024, while live streaming is set to register a 15.7% CAGR through 2030.
  • By revenue model, subscription-based offerings captured 74.7% of the digital music market share in 2024; advertisement/freemium models are projected to grow at a 12.5% CAGR to 2030.
  • By platform, mobile devices commanded 60% share of the digital music market size in 2024, whereas smart speakers and home assistants are forecast to expand at an 18% CAGR between 2025-2030.
  • By content type, audio music led with 80% of the digital music market in 2024; podcasts and spoken word are expected to climb at a 19% CAGR through 2030.
  • By end-user, individual consumers accounted for 63.2% of the digital music market in 2024; commercial establishments exhibit a 12% CAGR outlook to 2030.
  • By geography, North America contributed 34.1% to 2024 revenue, while the Middle East and Africa is the quickest-growing region with a 17.5% CAGR forecast.

Segment Analysis

By Service Type: Streaming Dominance and Live Streaming Upside

Streaming contributed USD 28.6 billion, equal to 84% of 2024 revenue. On-demand listening combines unrestricted catalog access with offline caching, locking users into multi-device ecosystems. The digital music market size for live streaming is still modest, but its 15.7% CAGR signals rapid scale as artists simulcast concerts directly to fans. Labels partner with event promoters to bundle digital tickets that include limited-edition merch, lifting spend per fan. Meanwhile, downloads continue to decline because cloud storage renders local files redundant. As cellular data tariffs fall, emerging markets leapfrog downloads and move directly into streaming.

A rising share of licensed live events carry tipping and virtual gifting tools enabling real-time monetization. Established streaming apps integrate live modules rather than building separate destinations, keeping audience retention high. Hardware firms place low-latency audio codecs in new phones to improve the live experience. These shifts sustain the digital music market trajectory toward experiential formats beyond static catalog consumption.

Digital Music Market: Market Share by Service Type
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By Revenue Model: Subscription Resilience Outpaces Advertising Cycles

Subscription frameworks locked in 74.7% of 2024 gross revenue, supported by bundled billing and student discounts. Medium-bundle family plans yield predictable cash flow, which platforms reinvest in exclusive sessions. Ad-supported free tiers deliver reach but face cyclical advertiser budgets and signal-loss from tracking restrictions. Nonetheless, a 12.5% CAGR points to healthier brand spending in developing economies where CPM baselines remain lower.

The digital music market share for subscriptions is preserved as services tier offerings by audio quality, offline usage and simultaneous log-ins. Introductory three-month trials shorten decision cycles and cut acquisition costs. Mixed monetization, such as premium-podcast “channels,” adds upsell layers under the same wallet. Conversely, pay-per-download remains niche, serving audiophiles who demand perpetual ownership.

By Platform: Mobile First, with Smart Speaker Momentum

Mobile devices captured 60% of listening hours in 2024. OEM preload contracts and lightweight progressive web apps expand reach among budget smartphone segments. In-app adaptive streaming scales bitrate based on network quality to preserve session stability. Smart speakers, growing at an 18% CAGR, transform kitchen and living room audio habits. Voice search lowers friction and triggers incremental discovery when users ask for mood-based playlists.

The digital music market size tied to desktop/laptop persists among productivity users who listen during work hours, but its relative share slips as hybrid work shifts soundscapes back to home assistants. Connected cars increasingly feature Android Automotive or CarPlay dashboards, embedding music apps natively. Automakers join revenue-sharing to convert driver dwell time into streaming revenue.

By Content Type: Audio Music Core with Podcast Upsurge

Audio music commanded 80% of 2024 receipts, reflecting the core value proposition of on-demand track play. Catalog depth across global and local repertoire differentiates services. Podcasts and spoken word grow at 19% CAGR, attracting distinct advertising formats such as host-read endorsements. Serialized investigative shows and language-learning programs widen demographic reach. The digital music market size for music videos is modest on audio-first platforms but grows on social-video hybrids that pay both music and video royalties.

Live concert recordings get renewed shelf life as remastered spatial tracks, adding high-margin content without new studio costs. Smart speakers steer users toward news briefings and short podcasts, elevating spoken-word share during morning routines. As rights frameworks standardize, licensing friction for these formats declines.

Digital Music Market: Market Share by Content Type
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By End-User: Consumer Foundation and Commercial Upsell

Individual consumers represented 63.2% of spending in 2024. Personal playlists, recommendations and social integrations sustain engagement loops. Commercial establishments, including cafés and gyms, sign blanket performance licenses bundled by service providers, posting a 12% CAGR outlook. Centralized dashboards let chain retailers program store ambience across regions.

The digital music market benefits from automotive OEM partnerships that preload time-bound trials, converting vehicle buyers into long-tail subscribers. Airlines experiment with in-flight streaming over Ku-band links, hinting at future travel-segment revenue. Rights holders negotiate distinct tariffs for these B2B contexts, diversifying income beyond household use.

Geography Analysis

North America delivered 34.1% of 2024 revenue, buoyed by high per-capita spend and early adoption of immersive audio. Average revenue per user remains the sector’s highest, exceeding USD 7 per month, owing to extensive family and multi-service bundles. Major labels maintain robust local repertoire, reinforcing catalog stickiness. The digital music market size in the United States especially benefits from car connectivity integrations and tipping features during live online events.

Europe shows mixed momentum as royalty obligations increase. Markets such as Germany exhibit stable premium penetration but slower unit growth. Meanwhile, Southern Europe sees renewed adoption through low-priced telco partnerships. The digital music market share in Europe faces erosion from stream-ripping; yet enforcement collaboration between platforms and ISPs gradually curtails illicit traffic.

The Middle East and Africa is the fastest-growing region with a 17.5% CAGR projection. Operators in Saudi Arabia and the United Arab Emirates push competitively priced weekly passes bundled with zero-rated data, rapidly onboarding youth populations. African startups localize UI into Swahili and Hausa, capturing cultural niches. Asia-Pacific shows diverse patterns: Japan’s physical-media legacy slows digital acceleration, whereas India’s mass adoption of budget smartphones has propelled ad-supported models. Collectively, rising disposable income and smartphone penetration underpin a strong demand curve for the digital music market across emerging economies.

Digital Music Market CAGR (%), Growth Rate by Region
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Competitive Landscape

The market hosts global leaders such as Spotify, Apple Music, Amazon Music and YouTube Music, each leveraging ecosystem synergies. Spotify increases conversational interfaces and AI DJ features to lengthen session times. Apple cross-bundles Music with TV+ and Fitness+, defending wallet share among iPhone owners. Amazon integrates Music into Prime, framing it as an added value for fast shipping subscribers. YouTube Music capitalizes on its vast video archive to offer seamless audiovisual switching.

Regional champions carve defensible niches. Tencent Music holds exclusive Chinese catalogue deals and bundles karaoke functionalities. Anghami focuses on Arabic repertoire and telecom billing relationships across MENA, while Boomplay targets sub-Saharan Africa through lightweight app builds. Each regional specialist exploits cultural and language localization to fend off global rivals and contributes to a fragmented tail of offerings.

Independent artist distribution intermediaries such as TuneCore, DistroKid and RouteNote help musicians retain ownership by collecting royalties across multiple DSPs for a flat fee or commission. Their growth reflects the surge in self-released tracks, estimated at 120,000 daily uploads industry-wide. Label services firms like LANDR and Amuse provide mastering and marketing dashboards, deepening service bundles. M&A activity centers on catalog acquisition as funds seek predictable cash flows; this trend intensifies catalog pricing and fuels race for exclusive rights within the digital music market.

Digital Music Industry Leaders

  1. TuneCore Inc.

  2. iHeartMedia Inc.

  3. LANDR Audio Inc.

  4. Tencent Music Entertainment Group

  5. Spotify Technology S.A.

  6. *Disclaimer: Major Players sorted in no particular order
Digital Music Market Concentration
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Recent Industry Developments

  • May 2025: Create Music Group acquired indie electronic label Monstercat and pledged an additional USD 50 million investment over the next two years, expanding its global reach in electronic music and gaming
  • April 2025: Concord completed its acquisition of music distribution platform Stem, addressing the 'graduation problem' faced by artists who outgrow smaller platforms while allowing them to retain autonomy
  • April 2025: Hungama Music shut down operations in India, signaling significant consolidation in the Indian music streaming market despite booming demand for music streaming services
  • January 2025: Dolby showcased in-car entertainment innovations at CES 2025, highlighting the expansion of Dolby Atmos to over 20 automotive manufacturers and reporting that 93% of Billboard's 2024 Top 100 Artists have released music in Dolby Atmos

Table of Contents for Digital Music Industry Report

1. INTRODUCTION

  • 1.1 Study Assumptions and Market Definition
  • 1.2 Scope of the Study

2. RESEARCH METHODOLOGY

3. EXECUTIVE SUMMARY

4. MARKET LANDSCAPE

  • 4.1 Market Overview
  • 4.2 Market Drivers
    • 4.2.1 Proliferation of 5G and Edge Computing Enabling Lossless Mobile Streaming
    • 4.2.2 Telco-Music Bundles Accelerating Paid Subscriptions in Middle East and North Africa
    • 4.2.3 AI-Curated Playlists Increasing User Engagement and ARPU in Asia-Pacific
    • 4.2.4 Surge in Independent Artist Direct-to-Fan Platforms in North America and Europe
    • 4.2.5 Adoption of Immersive Audio (Dolby Atmos, Spatial) Boosting Premium Tier Upgrades
    • 4.2.6 Rising In-Car Connected Infotainment Demand Fuelling Automotive Streaming Integrations
  • 4.3 Market Restraints
    • 4.3.1 Royalty Cost Inflation From Evolving EU Copyright Directive Compressing Margins
    • 4.3.2 Persistent Stream-Ripping and Piracy Platforms Undermining Revenues in Southeast Asia
    • 4.3.3 High Payment-Gateway Fees Limiting Subscription Uptake in Sub-Saharan Africa
    • 4.3.4 App-Store Commission Policies Restricting Pricing Flexibility for iOS Ecosystem
  • 4.4 Regulatory and Standards Outlook
  • 4.5 Porter's Five Forces Analysis
    • 4.5.1 Bargaining Power of Suppliers
    • 4.5.2 Bargaining Power of Buyers
    • 4.5.3 Threat of New Entrants
    • 4.5.4 Threat of Substitutes
    • 4.5.5 Intensity of Competitive Rivalry

5. MARKET SIZE AND GROWTH FORECASTS (VALUE)

  • 5.1 By Service Type
    • 5.1.1 Downloads
    • 5.1.1.1 Websites
    • 5.1.1.2 Mobile Apps
    • 5.1.1.3 Social Media
    • 5.1.2 Streaming
    • 5.1.2.1 On-Demand Streaming
    • 5.1.2.2 Live Streaming
  • 5.2 By Revenue Model
    • 5.2.1 Subscription-Based
    • 5.2.2 Advertisement / Freemium
    • 5.2.3 Pay-Per-Download
  • 5.3 By Platform
    • 5.3.1 Mobile Devices
    • 5.3.2 Desktop / Laptop
    • 5.3.3 Smart Speakers and Home Assistants
    • 5.3.4 Connected Cars and Infotainment Systems
  • 5.4 By Content Type
    • 5.4.1 Audio Music
    • 5.4.2 Podcasts and Spoken Word
    • 5.4.3 Live Concert Recordings
    • 5.4.4 Music Videos (Audio-Visual)
  • 5.5 By End-User
    • 5.5.1 Individual Consumers
    • 5.5.2 Commercial Establishments
    • 5.5.3 Automotive OEM and In-Car Services
  • 5.6 By Geography
    • 5.6.1 North America
    • 5.6.1.1 United States
    • 5.6.1.2 Canada
    • 5.6.1.3 Mexico
    • 5.6.2 South America
    • 5.6.2.1 Brazil
    • 5.6.2.2 Argentina
    • 5.6.2.3 Rest of South America
    • 5.6.3 Europe
    • 5.6.3.1 Germany
    • 5.6.3.2 United Kingdom
    • 5.6.3.3 France
    • 5.6.3.4 Italy
    • 5.6.3.5 Spain
    • 5.6.3.6 Rest of Europe
    • 5.6.4 Asia-Pacific
    • 5.6.4.1 China
    • 5.6.4.2 Japan
    • 5.6.4.3 South Korea
    • 5.6.4.4 India
    • 5.6.4.5 Australia
    • 5.6.4.6 New Zealand
    • 5.6.4.7 Rest of Asia-Pacific
    • 5.6.5 Middle East
    • 5.6.5.1 United Arab Emirates
    • 5.6.5.2 Saudi Arabia
    • 5.6.5.3 Rest of Middle East and Africa
    • 5.6.6 Africa
    • 5.6.6.1 South Africa
    • 5.6.6.2 Rest of Africa

6. COMPETITIVE LANDSCAPE

  • 6.1 Strategic Developments
  • 6.2 Vendor Positioning Analysis
  • 6.3 Company Profiles (includes Global level Overview, Market level overview, Core Segments, Financials as available, Strategic Information, Products and Services, and Recent Developments)
    • 6.3.1 Spotify Technology S.A.
    • 6.3.2 Apple Inc. (Apple Music)
    • 6.3.3 Amazon.com Inc. (Amazon Music)
    • 6.3.4 Alphabet Inc. (YouTube Music)
    • 6.3.5 Tencent Music Entertainment Group
    • 6.3.6 Deezer S.A.
    • 6.3.7 Pandora Media LLC (SiriusXM)
    • 6.3.8 SoundCloud Ltd.
    • 6.3.9 Tidal (Project Panther Bidco Ltd.)
    • 6.3.10 iHeartMedia Inc.
    • 6.3.11 TuneCore Inc.
    • 6.3.12 DistroKid LLC
    • 6.3.13 RouteNote Ltd.
    • 6.3.14 LANDR Audio Inc.
    • 6.3.15 Amuseio AB
    • 6.3.16 Anghami plc
    • 6.3.17 Boomplay (Transsnet)
    • 6.3.18 KKBox Inc.
    • 6.3.19 Melon Company Ltd.
    • 6.3.20 Yandex Music LLC

7. MARKET OPPORTUNITIES AND FUTURE OUTLOOK

  • 7.1 White-space and Unmet-Need Assessment
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Global Digital Music Market Report Scope

The digital music market encompasses the creation, distribution, and consumption of music via digital platforms and technologies. This spans digital downloads, streaming services, online music stores, and various platforms granting consumers access to electronic music. The research also examines underlying growth influencers and significant industry vendors, all of which help to support market estimates and growth rates throughout the anticipated period. The market estimates and projections are based on the base year factors and arrived at top-down and bottom-up approaches.

The digital music market is segmented by downloads (website, apps, social media, music streaming and streaming subscription), by end-users (individual users, commercial users and other end-users) and by geography (North America, Europe, Asia Pacific, South America, Middle East, and Africa). The market size and forecasts are provided in terms of value (USD) for all the above segments.

By Service Type
Downloads Websites
Mobile Apps
Social Media
Streaming On-Demand Streaming
Live Streaming
By Revenue Model
Subscription-Based
Advertisement / Freemium
Pay-Per-Download
By Platform
Mobile Devices
Desktop / Laptop
Smart Speakers and Home Assistants
Connected Cars and Infotainment Systems
By Content Type
Audio Music
Podcasts and Spoken Word
Live Concert Recordings
Music Videos (Audio-Visual)
By End-User
Individual Consumers
Commercial Establishments
Automotive OEM and In-Car Services
By Geography
North America United States
Canada
Mexico
South America Brazil
Argentina
Rest of South America
Europe Germany
United Kingdom
France
Italy
Spain
Rest of Europe
Asia-Pacific China
Japan
South Korea
India
Australia
New Zealand
Rest of Asia-Pacific
Middle East United Arab Emirates
Saudi Arabia
Rest of Middle East and Africa
Africa South Africa
Rest of Africa
By Service Type Downloads Websites
Mobile Apps
Social Media
Streaming On-Demand Streaming
Live Streaming
By Revenue Model Subscription-Based
Advertisement / Freemium
Pay-Per-Download
By Platform Mobile Devices
Desktop / Laptop
Smart Speakers and Home Assistants
Connected Cars and Infotainment Systems
By Content Type Audio Music
Podcasts and Spoken Word
Live Concert Recordings
Music Videos (Audio-Visual)
By End-User Individual Consumers
Commercial Establishments
Automotive OEM and In-Car Services
By Geography North America United States
Canada
Mexico
South America Brazil
Argentina
Rest of South America
Europe Germany
United Kingdom
France
Italy
Spain
Rest of Europe
Asia-Pacific China
Japan
South Korea
India
Australia
New Zealand
Rest of Asia-Pacific
Middle East United Arab Emirates
Saudi Arabia
Rest of Middle East and Africa
Africa South Africa
Rest of Africa
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Key Questions Answered in the Report

What is the current size of the digital music market?

The digital music market is valued at USD 34.10 billion in 2025.

How fast is the digital music market expected to grow?

It is forecast to expand at a 7.92% CAGR, reaching USD 53.09 billion by 2030.

Which service segment is growing the quickest?

Live streaming is projected to grow at a 15.7% CAGR between 2025-2030.

Which region shows the highest future growth?

The Middle East & Africa is expected to post a 17.5% CAGR, the fastest worldwide.

How significant are podcasts in the overall spending mix?

Podcasts and spoken word content are set to rise at a 19% CAGR, gradually increasing their share of total revenue.

Who are the leading players in the digital music market?

Spotify, Apple Music, Amazon Music and YouTube Music remain the global leaders, complemented by regional specialists such as Tencent Music and Anghami.

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