Music Streaming Market Size and Share

Music Streaming Market Summary
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Music Streaming Market Analysis by Mordor Intelligence

The music streaming market size is estimated at USD 23.18 billion in 2025 and is forecast to reach USD 34.87 billion by 2030, reflecting an 8.51% CAGR over 2025-2030 [1]International Federation of the Phonographic Industry, “Global Music Report 2025,” IFPI, ifpi.org . Subscriber totals passed 752 million in 2024, and streaming already delivers 69% of all recorded-music revenue, underscoring the channel’s central role in the global music economy [2]Mark Sutherland, “Streaming Subscriptions Soar to 752 Million,” Music Week, musicweek.com . Competitive intensity is rising as AI-curated discovery, premium lossless audio, and telco bundles redefine user expectations and shrink switching costs. Growth patterns are diverging: North America retains the largest regional slice, yet emerging territories such as the Middle East and Africa are expanding at double-digit rates thanks to mobile-first access and lower-priced plans. At the same time, rising licensing fees and mounting artist pressure for fan-centric royalty models are squeezing margins and forcing platforms to explore new revenue levers.

Key Report Takeaways

  • By service, On-Demand streaming led with 80% of the music streaming market share in 2024, while Live Streaming is advancing at a 15.7% CAGR through 2030.
  • By revenue model, the Subscription tier held 65% of the music streaming market size in 2024; Ad-Supported options are projected to expand at a 9% CAGR over 2025-2030.
  • By platform, Application-based listening accounted for 82% share of the music streaming market size in 2024, whereas Browser-based access is forecast to grow at a 10.2% CAGR.
  • By content type, Audio dominated with 75% share of the music streaming market in 2024, while Video usage is set to climb at a 12% CAGR.
  • By end user, Individual listeners commanded 63% share in 2024; the Commercial segment is pacing fastest at a 14% CAGR to 2030.
  • By geography, North America captured 34% of the music streaming market share in 2024, but the Middle East & Africa region is on track for a 17.5% CAGR.
  • Spotify, Apple Music, Amazon Music, Tencent Music Entertainment and YouTube Music collectively held 72% of global revenue in 2024, with Spotify alone at 32.2% share musicweek.com.

Segment Analysis

By Service: Live Streaming Captures Momentum

Live Streaming generated the fastest CAGR at 15.7% between 2025-2030, even though On-Demand models held 80% of total revenue in 2024. The music streaming market size for Live events is scaling as 5G eradicates latency, allowing real-time fan reactions, tipping, and exclusive merch drops. Platforms host digital festivals that reach geographies where physical tours remain rare. In contrast, On-Demand growth in North America slowed to 3.6% as libraries hit saturation and customer acquisition costs rose. Providers now bundle exclusive singles or backstage passes to reinvigorate on-demand catalogs and cross-sell toward live formats, blurring usage boundaries.

Live adoption also correlates with creator economics: ticketed streams often net artists higher take-home percentages than standard royalty splits, motivating performers to schedule recurrent digital shows. For listeners, interactive emoji reactions and real-time polls enrich communal experiences that on-demand playback cannot replicate. Consequently, hybrid releases combining a pre-recorded studio album with a launch-week live performance are becoming normative, weaving both service modes into a single campaign arc. These synergies reinforce user loyalty and diversify monetisation for rights holders in the music streaming market.

Music Streaming Market
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By Revenue Model: Ad-Supported Tier Gains Traction

Subscription plans delivered 65% of 2024 turnover, yet ad-supported listening is forecast to post a 9% CAGR and will command a growing slice of the music streaming market size by 2030. Economic headwinds and regional ARPU gaps fuel consumer migration to cost-free options. At the same time, programmatic audio ads fetch rising CPMs as brands target segments based on mood, activity, and location cues. Spotify’s Q4 2024 advertising revenue climbed 7% on the back of a 12% expansion in ad-supported monthly active users.

Free tiers also function as onboarding funnels: roughly 45% of Spotify’s 2024 premium sign-ups originated from the ad-supported cohort. Meanwhile, subscription models diversify into duo, family, student, and high-fidelity plans, each addressing discrete willingness-to-pay clusters. Limited-time upsells, such as audiobooks or concert presales, encourage users to shift upward across tiers. As economic conditions vary by region, dual-track monetisation delivers flexibility for platforms to harvest maximum lifetime value across the global music streaming market.

By Platform: Browser-Based Access Surges

Native apps captured 82% of listening hours in 2024, yet browser sessions are rising at a 10.2% CAGR, the fastest of any platform slice. Developers exploit progressive web applications to bypass 15-30% app-store commissions, freeing margin for artist royalties or discounted pricing. In storage-constrained emerging markets, users appreciate avoiding 200 MB downloads, and lighter footprints reduce churn driven by “app fatigue.”

Still, native software maintains an edge in offline playback and deep OS integrations such as widgets and voice assistants. Hence, leading brands pursue an omnichannel approach, ensuring UI parity and synchronized libraries whichever entry point users choose. Browser progress may ultimately temper gatekeeper leverage exerted by dominant mobile ecosystems, shifting bargaining power toward streaming services in the wider music streaming market.

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By Content Type: Video Drives Engagement Growth

Audio streams retained 75% revenue share in 2024, but video consumption is advancing at 12% CAGR, bolstered by short-form clips on TikTok and YouTube as feeders into full tracks. Labels exploit behind-the-scenes reels and vertical videos to spike release-day visibility, then redirect traffic into paid audio subscriptions. The integration of synced lyrics, real-time commenting and fan “duet” functions elevates stickiness.

Podcasts and other spoken-word assets keep expanding as platforms invest in exclusive talent, further lowering dependency on label licenses. Dynamic ad-insertion within episodic content commands premium rates, while host-read promotions nurture intimate brand trust. Experimentation with multi-modal formats—such as interactive choose-your-own-story music videos—illustrates converging boundaries between audio, video and gaming inside the music streaming market.

Geography Analysis

North America retained 34% of 2024 revenue, yet growth moderated to 3.6% on signs of penetration. The United States celebrated the 100-million paid-subscriber milestone in March 2025, pushing platforms to extract higher ARPU through hi-fi tiers, audiobooks and podcast bundles. Canada shows parallel trends, with regulators reviewing merger proposals to safeguard catalog diversity.

The Middle East & Africa is the fastest-growing territory, charting a 17.5% CAGR outlook to 2030. Saudi Arabia’s Vision 2030 investments and United Arab Emirates’ streaming-friendly copyright reforms encourage both local production and foreign catalog licensing. MENA generated a 22.8% revenue jump in 2024, over 99% of which stemmed from streaming. Regional champion Anghami grew premium accounts 18% year-over-year by integrating Arabic podcast networks and telecom bundles.

Europe posted 8.3% revenue growth in 2024, aided by widespread 5G coverage that propels lossless adoption. The UK commands nearly half of domestic listener share for Spotify at 47.1%, yet YouTube Music delivered the quickest expansion Germany, France and the Nordics show robust appetite for spatial audio and vinyl-bundle hybrids. In contrast, Asia-Pacific reveals a patchwork: Japan inches forward amid a resilient CD culture, China boasts 190 million payers across Tencent Music, NetEase Cloud and Alibaba, while India’s penetration remains low but rising quickly due to vernacular catalogs and telco pricing innovations. Latin America delivers 22.5% growth as Brazil, Mexico and Colombia embrace pay-per-day micro-plans and social-media-led discovery. Collectively, these regional currents sustain the long-range expansion of the music streaming market.

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Competitive Landscape

The music streaming market is moderately concentrated, with the top five platforms holding roughly 72% of revenue. Spotify leads at 32.2% worldwide, but Apple Music’s 30.7% North-American share narrows the global gap. Amazon Music benefits from ecosystem bundling, while Google’s YouTube Music capitalizes on video heritage to escalate conversion. Tencent Music dominates China’s walled market; NetEase Cloud captures fandom via social commenting threads.

The relationship with rights owners defines competitive tactics. Major labels Universal, Sony and Warner collectively command close to 70% of recorded-music income, granting them steep leverage in licensing rounds. To counterbalance, services diversify into podcasts, audiobooks and direct-fan tools that bypass label control. Spotify’s AI-driven “DJ” voice assistant personalises playlists, boosting session times, while Apple Music integrates spatial audio as a hardware differentiator. Deezer partners with UMG on artist-centric royalties, positioning itself as a purer music advocate amid big-tech rivals.

White-space opportunities persist in regional niches. Boomplay in Africa and Anghami in MENA underscore how culturally attuned catalogs, offline caching and telco billing can fend off global giants. Separately, TikTok’s music distribution ambitions threaten to shift discovery upstream, forcing incumbents to embed short-form clips and social-sharing workflows. As margins compress, analysts anticipate selective mergers or asset swaps podcast studios, rights marketplaces, data-analytics startups that enhance scale efficiencies or elevate bargaining positions within the evolving music streaming market.

Music Streaming Industry Leaders

  1. Spotify Technology S.A.

  2. Apple Inc. (Apple Music)

  3. Amazon.com Inc. (Amazon Music)

  4. Tencent Music Entertainment

  5. Alphabet Inc. (YouTube Music)

  6. *Disclaimer: Major Players sorted in no particular order
Music Streaming Market Concentration
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Recent Industry Developments

  • April 2025: Deezer revealed that 18% of all new music uploaded to streaming platforms is fully AI-generated, spotlighting artificial intelligence’s growing content role deezer.com.
  • April 2025: Universal Music Group reported strong Q1 2025 performance but noted levelling growth in mature regions variety.com.
  • March 2025: IFPI announced global recorded-music revenue reached USD 29.6 billion in 2024, with streaming exceeding USD 20 billion for the first time ifpi.org.
  • February 2025: Airtel partnered exclusively with Apple to bundle Apple Music for Wi-Fi and post-paid subscribers in India airtel.com.

Table of Contents for Music Streaming Industry Report

1. INTRODUCTION

  • 1.1 Study Assumptions and Market Definition
  • 1.2 Scope of the Study

2. RESEARCH METHODOLOGY

3. EXECUTIVE SUMMARY

4. MARKET LANDSCAPE

  • 4.1 Market Overview
  • 4.2 Market Drivers
    • 4.2.1 Explosive Growth of Paid Subscriptions in Emerging Markets, Particularly Southeast Asia
    • 4.2.2 Podcast and Non-Music Audio Integration Driving Average Time Spent in North America
    • 4.2.3 Telco-Bundled Streaming Plans Expanding Addressable Base in Africa and Middle East
    • 4.2.4 5G and Edge Computing Enabling Lossless and Spatial Audio Adoption in Europe
    • 4.2.5 AI-Curated Personalization Increasing User Retention and ARPU in Mature Markets
    • 4.2.6 Expansion of Connected Car Integrations Accelerating In-Transit Listening
  • 4.3 Market Restraints
    • 4.3.1 Rising Content Licensing Costs Compressing Margins for Mid-Tier Platforms
    • 4.3.2 Fragmented Regional Copyright Regimes Delaying Cross-Border Catalog Launches
    • 4.3.3 Low Subscription Willingness-to-Pay in LATAM and Africa Limiting ARPU Growth
    • 4.3.4 Intensifying Artist Royalty Disputes Over Fan-Centric Models
  • 4.4 Regulatory Outlook
  • 4.5 Macroeconomic Trends Assessment
  • 4.6 Porter's Five Forces Analysis
    • 4.6.1 Bargaining Power of Suppliers
    • 4.6.2 Bargaining Power of Consumers
    • 4.6.3 Threat of New Entrants
    • 4.6.4 Threat of Substitute Products
    • 4.6.5 Intensity of Competitive Rivalry
  • 4.7 Investment Analysis

5. MARKET SIZE AND GROWTH FORECASTS (VALUE)

  • 5.1 By Service
    • 5.1.1 On-Demand Streaming
    • 5.1.2 Live Streaming
  • 5.2 By Revenue Model
    • 5.2.1 Subscription (Premium, Family, Student)
    • 5.2.2 Ad-Supported (Free Tier, Sponsored Events)
  • 5.3 By Platform
    • 5.3.1 Application-Based
    • 5.3.2 Web / Browser-Based
  • 5.4 By Content Type
    • 5.4.1 Audio
    • 5.4.2 Video
    • 5.4.3 Podcast and Other Spoken-Word
  • 5.5 By End-User
    • 5.5.1 Individual (Consumers)
    • 5.5.2 Commercial (Fitness, Retail, Hospitality, Others)
  • 5.6 By Geography
    • 5.6.1 North America
    • 5.6.1.1 United States
    • 5.6.1.2 Canada
    • 5.6.1.3 Mexico
    • 5.6.2 South America
    • 5.6.2.1 Brazil
    • 5.6.2.2 Argentina
    • 5.6.2.3 Rest of South America
    • 5.6.3 Europe
    • 5.6.3.1 Germany
    • 5.6.3.2 United Kingdom
    • 5.6.3.3 France
    • 5.6.3.4 Italy
    • 5.6.3.5 Spain
    • 5.6.3.6 Rest of Europe
    • 5.6.4 Asia-Pacific
    • 5.6.4.1 China
    • 5.6.4.2 Japan
    • 5.6.4.3 South Korea
    • 5.6.4.4 India
    • 5.6.4.5 Rest of Asia-Pacific
    • 5.6.5 Middle East and Africa
    • 5.6.5.1 United Arab Emirates
    • 5.6.5.2 Saudi Arabia
    • 5.6.5.3 South Africa
    • 5.6.5.4 Rest of Middle East and Africa

6. COMPETITIVE LANDSCAPE

  • 6.1 Strategic Developments
  • 6.2 Vendor Positioning Analysis
  • 6.3 Company Profiles (includes Global level Overview, Market level overview, Core Segments, Financials as available, Strategic Information, Products and Services, and Recent Developments)
    • 6.3.1 Spotify Technology S.A.
    • 6.3.2 Apple Inc.
    • 6.3.3 Amazon.com, Inc.
    • 6.3.4 Tencent Music Entertainment Group
    • 6.3.5 Alphabet Inc. (YouTube Music)
    • 6.3.6 Pandora LLC (Sirius XM Holdings)
    • 6.3.7 Deezer S.A.
    • 6.3.8 TIDAL Music AS (Block Inc.)
    • 6.3.9 iHeartMedia, Inc.
    • 6.3.10 Saavn Media Ltd. (JioSaavn)
    • 6.3.11 SoundCloud Ltd.
    • 6.3.12 Anghami plc
    • 6.3.13 Boomplay (Transsion Holdings)
    • 6.3.14 Yandex Music LLC
    • 6.3.15 Bandcamp
    • 6.3.16 Melon Company (Kakao Entertainment)
    • 6.3.17 LINE MUSIC Corporation
    • 6.3.18 JOOX (Tencent Holdings)
    • 6.3.19 NetEase Cloud Music
    • 6.3.20 Audiomack
    • 6.3.21 ByteDance
    • 6.3.22 Gaana (Times Internet Ltd.)
    • 6.3.23 Audiomack

7. MARKET OPPORTUNITIES AND FUTURE OUTLOOK

  • 7.1 White-Space and Unmet-Need Assessment
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Research Methodology Framework and Report Scope

Market Definitions and Key Coverage

Our study defines the global music streaming market as all revenue accruing to digital services that transmit licensed audio content in real time or near-real time to consumer devices, whether through paid subscriptions or advertising-supported access. The definition captures on-demand and live streams delivered via dedicated apps or web players, but excludes physical sales, terrestrial radio, video-only streaming, and rights management fees not tied to end-user listening.

(Scope exclusion) Revenues from podcast hosting, video music clips, and artist merchandise are outside the present scope.

Segmentation Overview

  • By Service
    • On-Demand Streaming
    • Live Streaming
  • By Revenue Model
    • Subscription (Premium, Family, Student)
    • Ad-Supported (Free Tier, Sponsored Events)
  • By Platform
    • Application-Based
    • Web / Browser-Based
  • By Content Type
    • Audio
    • Video
    • Podcast and Other Spoken-Word
  • By End-User
    • Individual (Consumers)
    • Commercial (Fitness, Retail, Hospitality, Others)
  • By Geography
    • North America
      • United States
      • Canada
      • Mexico
    • South America
      • Brazil
      • Argentina
      • Rest of South America
    • Europe
      • Germany
      • United Kingdom
      • France
      • Italy
      • Spain
      • Rest of Europe
    • Asia-Pacific
      • China
      • Japan
      • South Korea
      • India
      • Rest of Asia-Pacific
    • Middle East and Africa
      • United Arab Emirates
      • Saudi Arabia
      • South Africa
      • Rest of Middle East and Africa

Detailed Research Methodology and Data Validation

Primary Research

Mordor analysts interviewed executives from DSPs, indie label aggregators, advertising networks, and mobile operators across North America, Europe, Asia-Pacific, and Latin America. Conversations clarified bundled pricing strategies, regional royalty norms, and emerging freemium uptake, allowing us to reconcile desk findings and close data gaps.

Desk Research

We gathered foundational figures from publicly available tier-1 sources such as IFPI's Global Music Report, Luminate's annual consumption dashboards, national telecom regulators, and international trade bodies like the OECD for broadband indicators. Company 10-Ks, investor decks, and association portals (RIAA, ERA) provided pricing, subscriber counts, and advertising yield patterns. Subscription churn ratios and user-time metrics were extracted from datasets in D&B Hoovers and Dow Jones Factiva, while Questel patent trends signaled platform innovation intensity. The sources listed illustrate our approach and are not exhaustive.

Market-Sizing & Forecasting

A top-down construct starts with paid and ad-supported listener pools reconstructed from telecom penetration and household income tiers, which are then multiplied by region-specific average revenue per user and ad-impression yields. Select bottom-up checks, streaming hours multiplied by royalty per stream, and sampled platform revenues refine totals. Key variables tracked include smartphone install base growth, broadband speed adoption, subscription pricing ladders, advertising CPMs on free tiers, and label revenue-share ratios. A multivariate regression blended with ARIMA captures how these drivers steer revenue through 2030. Scenario stress tests guided by primary-research consensus bound the forecast range.

Data Validation & Update Cycle

Every iteration undergoes variance scans against external indicators, senior analyst peer review, and anomaly callbacks to interviewees. Reports refresh yearly, with interim recalculations triggered by material events such as major royalty-rate resets or policy shifts.

Why Mordor's Music Streaming Baseline Earns Industry Trust

Published estimates often diverge because firms apply different content scopes, revenue inclusions, and refresh cadences. Understanding these levers helps buyers interpret the spread of numbers in the public domain.

Key gap drivers include whether podcasts and video clips are folded into totals, the handling of advertising versus subscription revenue, currency year alignment, and how aggressively future ARPU expansion is assumed before volume growth is validated.

Benchmark comparison

Market Size Anonymized source Primary gap driver
USD 23.18 B (2025) Mordor Intelligence -
USD 46.66 B (2024) Global Consultancy A Includes podcasts and music videos, limited primary validation
USD 48.60 B (2024) Industry Analytics B Adds platform ad spend and uses single top-down feed

The comparison shows that when scope is tightened to pure audio streams and estimates are cross-tested with bottom-up probes, totals align closer to the realities disclosed by leading DSPs. This disciplined, transparent pathway is how Mordor Intelligence delivers a dependable baseline for strategic decision-making.

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Key Questions Answered in the Report

What is the current Music Streaming Market size?

In 2025, the Music Streaming Market size is expected to reach USD 22.74 billion.

Who are the key players in Music Streaming Market?

Spotify Inc., Apple Inc., Amazon Inc., Pandora Inc. and YouTube Inc. are the major companies operating in the Music Streaming Market.

Which is the fastest growing region in Music Streaming Market?

Asia Pacific is estimated to grow at the highest CAGR over the forecast period (2025-2030).

Which region has the biggest share in Music Streaming Market?

In 2025, the North America accounts for the largest market share in Music Streaming Market.

What years does this Music Streaming Market cover, and what was the market size in 2024?

In 2024, the Music Streaming Market size was estimated at USD 20.78 billion. The report covers the Music Streaming Market historical market size for years: 2019, 2020, 2021, 2022, 2023 and 2024. The report also forecasts the Music Streaming Market size for years: 2025, 2026, 2027, 2028, 2029 and 2030.

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